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No Time To Die in Dolby Atmos and Vision has ruined cinemas for me

Following months spent largely observing motion pictures at home, I have been to the cinema to see two films this 7 days – the return of James Bond in No Time to Die, and Marvel’s most current blockbuster, Shang-Chi and the Legend of the Ten Rings. Both were being terrific, and suitable up my avenue – so why did I appreciate No Time to Die so substantially much more?

The remedy is basic. I noticed No Time to Die at the new Odeon Luxe cinema in central London, entire with Dolby Eyesight HDR screen and Dolby Atmos overhead encompass audio, whilst I observed Shang-Chi at my poor previous regular multiplex. And I concern I can in no way go back again.

There is now an ever more widening gulf in between the top quality of the presentation at a substantial-conclude cinema, and that of conventional projection at the bulk of other cinemas. 

(Impression credit score: Dolby)
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